THE PUBLIC ART EXHIBITION THAT IS SETTING SAINT-ALEXIS-DES-MONTS ABUZZ
From June 18 to September 30, 2025
This series of photographic murals was designed to engage with the community of Saint-Alexis-des-Monts and its residents, in a region where fishing has historically played an important role—both in terms of experience and collective imagination.
AN EXHIBITION FOR SAINT-ALEXIS, WITH THE PEOPLE OF SAINT-ALEXIS
In the summer of 2025, I took over the heart of the village of Saint-Alexis-des-Monts with a series of public artworks that were as playful as they were unexpected. The village was transformed into an open-air museum: huge surrealist photomontages appeared on the exterior walls of several houses along Notre-Dame Street, the main thoroughfare, stretching for about a kilometer. These intriguing images amused, captivated, and inspired fishing enthusiasts! Since Saint-Alexis-des-Monts is known as the capital of speckled trout, the theme of the exhibition was obvious: trout—as never seen before! Some were eight or even twelve feet long. The characters accompanying them? Local residents, who were just as impressive.
The exhibition's aesthetic focused on formal simplicity and visual impact. There was no decor or background: the characters and their fish were precisely cut out, creating the illusion that they were emerging directly from the walls. The black and white unified the series and allowed the works to stand out effectively from a visually busy environment. This choice also evoked the early days of photography, creating an interesting contrast between apparent realism and digital manipulation.
By featuring village residents, I wanted to create a sense of local camaraderie: you see your mother, your cousin, your great-aunt, your neighbor... In a small town where “everyone knows each other,” everyone could recognize themselves.
TESTIMONIALS
In the days following the installation of the works, a tsunami of comments flooded the village's social media feeds, attesting to the project's power to bring people together. I have translated a few of them below.
ACKNOWLEDGEMENTS
This project received financial support from the Mauricie Regional Partnership Program, under the auspices of the Conseil des arts et des lettres du Québec.
I would like to extend my warmest thanks to my local partners, the citizens who posed for the works, and the owners who generously agreed to display them on their walls.






